BMN: There is a struggle going on between different views of the ownership of the data produced and shared throughout the Web. While companies and governments are claiming for a stronger copyright control, individual users and on-line communities are reclaiming open-source oriented solutions that redefine many immaterial products as digital commons. You have different ideas about the solutions to face this critical situation, especially regarding the nature of commons. How do you frame the contemporary situation from this point of view? And what future scenarios do you forecast?
GL: I am not a copyright expert nor an active Creative Commons evangelist. As a radical pragmatist I use Creative Commons as often as possible. My take on this issue has been to question the uncritical use of terms such as ‘free’ and ‘open’. We should no longer listen to (free) software experts in this regard as they are still in demand in terms of employment, worldwide, and have turned out to be bad advisers when it comes to organizing sustainable sources of income for designers, artists, musicians, writers and others in the ‘content’ business. The question whether computer programmers have the freedom to change code has been too long in the centre of attention. If we care about the so-called precarious creative workers we should shift our attention away from the professions that are (still) able to organize their own income (such as programmers and academics) and start to theorize the new digital labor conditions of the global creative classes and come up with viable alternatives. Continue reading →
Örsan Şenalp
Dialogue between Bertram M. Niessen and Geert Lovink on precarious ...
Posted: February 24, 2012 at 10:34 am
BMN: There is a struggle going on between different views of the ownership of the data produced and shared throughout the Web. While companies and governments are claiming for a stronger copyright control, individual users and on-line communities are reclaiming open-source oriented solutions that redefine many immaterial products as digital commons. You have different ideas about the solutions to face this critical situation, especially regarding the nature of commons. How do you frame the contemporary situation from this point of view? And what future scenarios do you forecast?
GL: I am not a copyright expert nor an active Creative Commons evangelist. As a radical pragmatist I use Creative Commons as often as possible. My take on this issue has been to question the uncritical use of terms such as ‘free’ and ‘open’. We should no longer listen to (free) software experts in this regard as they are still in demand in terms of employment, worldwide, and have turned out to be bad advisers when it comes to organizing sustainable sources of income for designers, artists, musicians, writers and others in the ‘content’ business. The question whether computer programmers have the freedom to change code has been too long in the centre of attention. If we care about the so-called precarious creative workers we should shift our attention away from the professions that are (still) able to organize their own income (such as programmers and academics) and start to theorize the new digital labor conditions of the global creative classes and come up with viable alternatives. Continue reading →
Feb 24, 2012
Örsan Şenalp
Rethinking labour in an age of networks and movements
http://www.networkedlabour.net/
Apr 3, 2013
Örsan Şenalp
GlobalSquare
http://www.global-square.net/
Apr 3, 2013